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c. 1445 – May 17, 1510. Italian painter.

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Kristian Zahrtmann
Leonora Christina in the garden of Frederiksborg Palace.

ID: 90145

Kristian Zahrtmann Leonora Christina in the garden of Frederiksborg Palace.
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Kristian Zahrtmann Leonora Christina in the garden of Frederiksborg Palace.


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Kristian Zahrtmann

(31 March 1843 - 22 June 1917) was a Danish painter. He was a part of the Danish artistic generation in the late 19th century, along with Peder Severin Krøyer and Theodor Esbern Philipsen, who broke away from both the strictures of traditional Academicism and the heritage of the Golden Age of Danish Painting, in favor of naturalism and realism. He was known especially for his history paintings, and especially those depicting strong, tragic, legendary women in Danish history. He also produced works of many other genres including landscapes, street scenes, folk scenes and portraits. He had a far-reaching effect on the development of Danish art through his effective support of individual style among his students during the many years he taught, and by his pioneering use of color.   Related Paintings of Kristian Zahrtmann :. | Details of The Virgin of Chancellor Rolin (mk45) | Ossian on the Bank of the Lora Invoking the Gods to the Strains of a Harp | Card Players | Flowers and fruit | London: Greenwich Hospital from the North Bank of the Thames d |
Related Artists:
Peter Adolf Hall
painted Self-portrait in before 1793(1793)
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
William Buelow Gould
Botanical artist and Natural history artist Australian, 1801-1853






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